Explain what Petrie and Boggs mean by this boldfaced term/concept, in this chapter, and (b.) if applicable, show how this concept plays into both the film assigned for this unit plus one oth

Chapter 7: “Color as Symbol.” In this chapter’s discussion of “Color in the Modern Medium,” (a.) explain what Petrie and Boggs mean by this boldfaced term/concept, in this chapter, and (b.) if applicable, show how this concept plays into both the film assigned for this unit plus one other film previously-assigned for the previous units. This might include Martin Rosen’s Watership Down (1978), Stanley Cramer’s It’s a Mad, Mad, Mad, Mad World (United Artists, 1963), Frank Capra’s It’s a Wonderful Life (RKO, 1946), and/or Victor Fleming’s The Wizard of Oz (MGM, 1949).