here is the prompt, please follow it closely:
In her article “The Cinema of Displacement,” Ella Shohat describes how feminist filmmakers in postcolonial countries/contexts produce a critique not only of colonialism but nationalism and patriarchy as well. What are Shohat’s key arguments about this critical practice? Discuss how her ideas about feminist and “post-Third Worldist” filmmaking are expressed in Silences of the Palace or The Piano. Avoid broad and unsupported generalizations. Be specific to the cultural, historical, and national contexts you are writing about. It will be helpful to reference specific scenes and formal choices in your response.
I will also provide you with a sample of my writing as I would like to gage my writing style so it is authentic. Please do not take this question if you are not confident on analyzing formal aspects of filmmaking.